MAY 3-4 :: CHAPBOOK FESTIVAL and PRINT! DOCUMENT SERIES 1 READING at MELLOW PAGES
Poetry month has come to a close, but the poetry is still flowing all around us. This weekend will be packed full of amazing events. Exit Strata will be tabling at CUNY's 5th annual Chapbook Festival. The two day event
AWESOME CREATORS :: FILM :: THE BEGINNING IS HERE! :: OCCUPY LOVE :: RELEASE / TOUR BEGINS MAY 3rd IN NYC
“Everything can be taken from a man but one thing: the last of the human freedoms—to choose one’s attitude in any given set of circumstances, to choose one’s own way.” ― Viktor E. Frankl, Man's Search for Meaning Sometime during the occupation of
2nd ANNUAL NAPOMO 30/30/30 :: DAY 29 :: MORGAN VO on MINA LOY
“I was trying,” Mina Loy observed in 1927, with reference to her polyglot, punning, scholastic, asyntactic, unpunctuated free-verse poems, “to make a foreign language, because English had already been used.” Read more: http://marjorieperloff.com/reviews/loy-mysteries/#ixzz2Rp0FfojT Under Creative Commons License: Attribution from Morgan Vo, on and of Mina
COMMUNITY :: LAUNCHPAD BK :: Mozzarella Making Class May 4th @ 1pm
May 4th @ 1pm Mozzarella Making Class The Campania Region in Italy is known for its beautiful water buffalo milk pasta filata cheese: mozzarella. Although the water buffalo is a rare entity in the U.S., we can make the most of
2nd ANNUAL NAPOMO 30/30/30 :: DAY 28 :: BUD BERKICH on WILLIAM CARLOS WILLIAMS
William Carlos Williams: Backyard Artist I first experienced the poetry of William Carlos Williams in the fall of 1994, as an English major at Rutgers College. For me, it was an unforgettable experience. Williams' poetry shaped my own writing and philosophy
2nd ANNUAL NAPOMO 30/30/30 :: DAY 27 :: BENJAMIN WIESSNER on HARRYETTE MULLEN
I am going to start with an admission—I have a deep and varied past with the poetry of Harryette Mullen. Her masterpiece, Sleeping with the Dictionary, opened my eyes to so many possibilities in poetry. The experience I had is described best by her line, “I’ve been licked all over by the English tongue.”
2nd ANNUAL NAPOMO 30/30/30 :: DAY 26 :: JASON GRABOWSKI on FRANK O'HARA
IT IS GOOD TO BE SEVERAL FLOORS UP IN THE DEAD OF NIGHT WONDERING WHETHER YOU ARE ANY GOOD OR NOT AND THE ONLY DECISION YOU CAN MAKE IS THAT YOU DID IT – THE ONLY THING TO DO IS SIMPLY CONTINUE IS THAT SIMPLE YES,
COCO PROCESS COURSE :: MIRIAM SUZANNE's FUCK THE MUSE :: LESSON 7 :: (RE)THINKING on YOUR FEET
Sometimes you have a great idea for a project, or one aspect of a project, and you throw everything at it, but the idea turns out to be a dud. You can’t ditch the project after putting so much into
2nd ANNUAL NAPOMO 30/30/30 :: DAY 25 :: MATT GANO on JACK McCARTHY
I first met Jack McCarthy at the Seattle Poetry Slam in 2003. He was doing his normal “catch the crowd off guard” old-man routine on stage, blending his extreme charm and undeniable wit with true sentiment and a little bit
2nd ANNUAL NAPOMO 30/30/30 :: DAY 24 :: ELIZABETH CLARK WESSEL on GRACE PALEY
There is a long time in me between knowing and telling. My favorite Grace Paley stories have one-word titles: Wants, Debts, Love, Friends, Mother. Each is just a few pages long. To me they comprise a world literature. Expansive, weighty, inexhaustible. To
