4th Annual NAPOMO 30/30/30 :: Day 18 :: Lauren Klotzman on bpNichol's First Screening
SUBJECT LINE: UNSENT TO Z___ 3/1/15 1:00 PM dear z___- i know that we really just met and maybe things have been a little intense over that extremely short time period, but i have to say i really like spending time with
4th Annual NAPOMO 30/30/30 :: Day 17 :: Damon Ferrell Marbut on Andrew Faulkner
Need Machine [Coach House Books, 2013] is a small book of poems I loved immediately. The first two poems seemed as though one were observing a track sprinter stretch before the gun fires. But from The Lobby (beginning with “The Holiday Inn sign issues
4th Annual NAPOMO 30/30/30 :: Day 16 :: Catherine Bull on Rimbaud …and Rambo
I’m not much for debauch, not much for rude rebellion, I don’t speak French. I don’t take inspiration from Rimbaud’s words, his visions, his attitude, or his life story. He’s never been a haven or a guiding light the way
4th Annual NAPOMO 30/30/30 :: Day 15 :: Clara Lou on Trisha Low
[line] 1. Having been fed a diet of Lonely Girl Phenomenology and politicized autobiography, I endeavor to set IT HAPPENED TO ME in quotation marks, to matrix it, to learn how to speak from this fractured I. Trisha is like, “Okay! Let
4th Annual NAPOMO 30/30/30 :: Day 14 :: Managing Editor Lynne DeSilva-Johnson on Alice Notley's 'Culture of One'
[line] [superquote] Nothing occurs by chance, Marie thinks. Not in my life. I walk inside a lucent force, and I project it too — No, she doesn’t think this. She thinks, Nothing’s been an accident, but there’s no name for what’s in charge. People, being
4th Annual NAPOMO 30/30/30 :: Day 13 :: Anthony Cappo on William Blake
I. When I first read William Blake in a Romantic Poetry class my junior year of college, it set off immediate shockwaves. I had read the Beats and knew that they were big Blake fans, but had never read any of his
4th Annual NAPOMO 30/30/30 :: Day 12 :: Anton Yakovlev on Joshua Mehigan
Reading Joshua Mehigan's collections The Optimist (2004) and Accepting the Disaster (2014), I was struck by the understated, low-key way in which the author delivered the most impactful passages in his poems, causing them to go straight to the reader’s
4th Annual NAPOMO 30/30/30 :: Day 11 :: Sivan Butler-Rotholz on Li-Young Lee
I am writing this on the third anniversary of my father’s death. In Judaism, we remember a lost parent not on their birthday, but on their yahrzeit; a memorial anniversary marked by the day they passed. [articlequote]Tradition regards this day as
4th Annual NAPOMO 30/30/30 :: Day 10 :: Amanda [Ngoho] Reavey on Mei-mei Berssenbrugge
[articlequote]Then experience is revelation, because plants and people have in their cells particles of light that can become coherent, that radiate out physically and also with the creativity of metaphor, as in a beam of light holographically, i.e. by intuition,
4th Annual NAPOMO 30/30/30 :: Day 9 :: Amber Atiya on Lynda Hull
Cities are the most manmade of places, the most jammed with bodies, skin and steel. [textwrap_image align="right"]http://www.theoperatingsystem.org/wp-content/uploads/2015/04/hull_l.jpg[/textwrap_image] Lynda Hull’s poems are the cities and their dwellers, wide-hipped lyrics, shadows in doorways drunk off whiskey and their own dark music, hymns of
