FAUX VERTICAL

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“On the other hand, we denounce with righteous indignation and dislike men who are so beguiled and demoralized by the charms of pleasure of the moment, so blinded by desire, that they cannot foresee the pain and trouble that are bound to ensue; and equal blame belongs to those who fail in their duty through weakness of will, which is the same as saying through shrinking from toil and pain. These cases are perfectly simple and easy to distinguish. In a free hour, when our power of choice is untrammelled and when nothing prevents our being able to do what we like best, every pleasure is to be welcomed and every pain avoided. But in certain circumstances and owing to the claims of duty or the obligations of business it will frequently occur that pleasures have to be repudiated and annoyances accepted. The wise man therefore always holds in these matters to this principle of selection: he rejects pleasures to secure other greater pleasures, or else he endures pains to avoid worse pains.”
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[h4]IN THIS ISSUE[/h4]
[h6]Guest Curator: Jen Hofer[/h6]
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“At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio. Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas assumenda est, omnis dolor repellendus. Temporibus autem quibusdam et aut officiis debitis aut rerum necessitatibus saepe eveniet ut et voluptates repudiandae sint et molestiae non recusandae. Itaque earum rerum hic tenetur a sapiente delectus, ut aut reiciendis voluptatibus maiores alias consequatur aut perferendis doloribus asperiores repellat.”
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[h4]CHIWAN CHOI[/h4]
[h6]Founder, Publisher, Webmaster, Lifehacker, Alchemist.[/h6]
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i want to remember something important
but all i can think of is riding in george’s camaro
top down
somewhere in torrance
it was around 1am
there was nowhere we were trying to get to
we were just waiting
for our skin
to burn.
from “we are only aware it’s winter”

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[h4]Raquel Gutierrez[/h4]
[h6]Editor, Poet, Magician, Voice of Reason [/h6]
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scatter my ash; the keeper of my ambivalences,
a casket is
a sorry stage unable to
satisfy my internal monologue,
scatter me in the mouth of Los Angeles
her stomach the desert
her ass the sea
her shoulders the mountains
and her womb
the east Los Angeles freeway interchange
for the 5 brought me all of California
while the 101 took to me to where it was possible
impossible on the 10 during rush hour
and the 60 carried my broken teenage heart home

from “#13”

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[h4]Poet 3[/h4]
[h6]Hybrid Artist, Evolver, Rogue Academic, Meaning Maker [/h6]
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Jay Besemer is the author of many poetic artifacts including Telephone (Brooklyn Arts Press), A New Territory Sought (Moria), Aster to Daylily (Damask Press), and Object with Man’s Face (Rain Taxi Ohm Editions).  His performances and video poems have been featured in various live arts festivals and series, including Chicago Calling Arts Festival; Red Rover Series {readings that play with reading}; Absinthe & Zygote; @Salon 2014 and Sunday Circus. Jay also contributes critical essays to numerous publications including Rain Taxi Review of Books, The VOLTA, and CCM: ENTROPY. He is the co-editor of a special digital Yoko Ono tribute issue of Nerve Lantern: Axon of Performance Literature, and founder of the Intermittent Series in Chicago.
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[h4]Artist 1[/h4]
[h6]Hybrid Artist, Evolver, Rogue Academic, Meaning Maker [/h6]
[box][h4]The “Glossarium: Unsilenced Texts and Modern Translations” series [/h4]was established in early 2016 in an effort to recover silenced voices outside and beyond the familiar poetic canon, seeking out and publishing both contemporary translations and little known (and unknown) out of print texts, in particular those under siege by restrictive regimes and silencing practices in their home countries. The term “Glossarium” derives from latin/greek and is defined as “a collection of glosses or explanations of words, especially of words not in general use, as those of a dialect, locality or an art or science, or of particular words used by an old or a foreign author.” The series is curated by Managing Editor Lynne DeSilva-Johnson, with the help of the contributing editors below as well as a wide range of global allies and friends. [/box]
 
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[faq_title]ARTIST 2[/faq_title]
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