4th Annual NAPOMO 30/30/30 :: Day 14 :: Managing Editor Lynne DeSilva-Johnson on Alice Notley's 'Culture of One'
[line] [superquote] Nothing occurs by chance, Marie thinks. Not in my life. I walk inside a lucent force, and I project it too — No, she doesn’t think this. She…
4th Annual NAPOMO 30/30/30 :: Day 13 :: Anthony Cappo on William Blake
I. When I first read William Blake in a Romantic Poetry class my junior year of college, it set off immediate shockwaves. I had read the Beats and knew that they…
4th Annual NAPOMO 30/30/30 :: Day 10 :: Amanda [Ngoho] Reavey on Mei-mei Berssenbrugge
[articlequote]Then experience is revelation, because plants and people have in their cells particles of light that can become coherent, that radiate out physically and also with the creativity of metaphor,…
4th Annual NAPOMO 30/30/30 :: Day 9 :: Amber Atiya on Lynda Hull
Cities are the most manmade of places, the most jammed with bodies, skin and steel. [textwrap_image align=”right”]http://www.theoperatingsystem.org/wp-content/uploads/2015/04/hull_l.jpg[/textwrap_image] Lynda Hull’s poems are the cities and their dwellers, wide-hipped lyrics, shadows in doorways…
4th Annual NAPOMO 30/30/30 :: Day 8 :: Hune Margulies on The Zen of Fernando Pessoa
[box]notes from my conversation with fernando pessoa, poet: never does a hand hold another without being held at that same moment. we forget poetry, and this is our fault. we…
4th Annual NAPOMO 30/30/30 :: Day 7 :: Alex Crowley on Lisa Robertson
[articlequote]We say thought’s object is not knowledge but living.”[/articlequote] As an undergrad sociology major I became obsessed with the Situationist International. Hyperradical, theory-obsessed, and obscure almost to the point of…
4th Annual NAPOMO 30/30/30 :: Day 6 :: AUDEN IN ICELAND :: Andre Bagoo on W.H. Auden
When he was a child, W. H. Auden had a friend. One weekend, when Robert Medley was staying at the Audens’ home at Harborne, England, Auden’s mother found a poem…
4th Annual Poetry Month 30/30/30 :: Day 4 :: Lawrence Kaplun on James Longenbach
In her book of essays Proofs and Theories, Louise Gluck writes, “The argument for completion, for thoroughness, for exhaustive detail, is that it makes an art more potent because more…
4th Annual Poetry Month 30/30/30 :: Day 3 :: Mariana Ruiz Firmat on Dawn Lundy Martin
[line] Several years ago, I was coming off of a particularly painful year that commenced with the severing of a seven-year relationship and ended with the passing of my grandmother.…
4th Annual Poetry Month 30/30/30 :: Day 2 :: Sophia Starmack on Hafiz
In the 13th century, the Persian city of Shiraz was both a center of learning and artistic achievement, and a volatile and rebellious place marked by the decline of the…