4th Annual NAPOMO 30/30/30 :: Day 10 :: Amanda [Ngoho] Reavey on Mei-mei Berssenbrugge
[articlequote]Then experience is revelation, because plants and people have in their cells particles of light that can become coherent, that radiate out physically and also with the creativity of metaphor, as in a beam of light holographically, i.e. by intuition,
4th Annual NAPOMO 30/30/30 :: Day 9 :: Amber Atiya on Lynda Hull
Cities are the most manmade of places, the most jammed with bodies, skin and steel. [textwrap_image align="right"]http://www.theoperatingsystem.org/wp-content/uploads/2015/04/hull_l.jpg[/textwrap_image] Lynda Hull’s poems are the cities and their dwellers, wide-hipped lyrics, shadows in doorways drunk off whiskey and their own dark music, hymns of
4th Annual NAPOMO 30/30/30 :: Day 8 :: Hune Margulies on The Zen of Fernando Pessoa
[box]notes from my conversation with fernando pessoa, poet: never does a hand hold another without being held at that same moment. we forget poetry, and this is our fault. we invent gods to compensate, and that's ok too. we stumble
4th Annual NAPOMO 30/30/30 :: Day 7 :: Alex Crowley on Lisa Robertson
[articlequote]We say thought’s object is not knowledge but living.”[/articlequote] As an undergrad sociology major I became obsessed with the Situationist International. Hyperradical, theory-obsessed, and obscure almost to the point of obnoxiousness, they seemed to be everything the American hippie flower children
4th Annual NAPOMO 30/30/30 :: Day 6 :: AUDEN IN ICELAND :: Andre Bagoo on W.H. Auden
When he was a child, W. H. Auden had a friend. One weekend, when Robert Medley was staying at the Audens' home at Harborne, England, Auden's mother found a poem that alarmed her. She gave it to Auden's father, physician
4th Annual 30/30/30 :: Day 5 :: Elizabeth Harlan-Ferlo on Linda Gregerson
My transition from “actor” to “writer” turned out to be harder than I thought. I was in my second year at Oberlin and had begun to drift away from the theatre community that had been so much of my self-definition.
4th Annual Poetry Month 30/30/30 :: Day 4 :: Lawrence Kaplun on James Longenbach
In her book of essays Proofs and Theories, Louise Gluck writes, “The argument for completion, for thoroughness, for exhaustive detail, is that it makes an art more potent because more exact – a closer recreation of the real. But the
4th Annual Poetry Month 30/30/30 :: Day 3 :: Mariana Ruiz Firmat on Dawn Lundy Martin
[line] Several years ago, I was coming off of a particularly painful year that commenced with the severing of a seven-year relationship and ended with the passing of my grandmother. From the moment my grandmother stepped foot in this country, she
4th Annual Poetry Month 30/30/30 :: Day 2 :: Sophia Starmack on Hafiz
In the 13th century, the Persian city of Shiraz was both a center of learning and artistic achievement, and a volatile and rebellious place marked by the decline of the Il-Khanid empire and the succession of short-lived rulers who scrabbled
4th Annual Poetry Month 30/30/30 :: Day 1 :: Diana Rickard on Akilah Oliver
[box]It's hard to believe that today's post marks the first of our FOURTH annual 30/30/30 series, and that when this month is over we will have seeded and scattered ONE HUNDRED and TWENTY of these love-letters, these stories of gratitude
